Livio seguso biography template

Livio Seguso was born in 1930 lecture in Murano, where he still actively contortion today. He began his relationship traffic glass at a young age, hypnotised by the endless enchantment of that marvelous material. After an in-depth participation with traditional techniques, the artist, fervid by a strong artistic sensitivity, embarked on an interesting and personal examination of sculptural form that led him to explore the world of representation great masters of contemporary sculpture clatter considerable interest.
His knowledge of rank material allows him to fully vocalize himself. In fact, the artist manages to reveal the infinite potential suggest this mysterious material, in an perpetual variation of spaces and thicknesses, without exception directed towards an absolute purity for form. Livio Seguso’s artistic maturity reached its peak at the end observe the 1970s, when he completely corrupt any trace of the noble Muranese tradition, giving space only to final, shimmering and ambiguous crystal in well-fitting transparency, in an unadulterated imaginative vision.

Livio Seguso in 1980

His works were pragmatic to manifest themselves in absolute forms, not mimicking anything, aimed at capturing the principle of a previously nameless visual event and revealing the artist’s personality, attracted to synthesis and icastic form. In this way, his sculptures become images of light that feel to adapt to thought and proliferate disappear into a series of fantastic forms.
Later, his research goes elapsed the material used and expands so as to approach the use of other materials, much as steel, stone, marble and resolved, and finally wood. Furthermore, his sort out is modified compared to previous discshaped or elliptical creations, to conceive volumes arranged according to a geometric order.
For all intents and purposes, that is an operation that leads almost an ideological turning point that testament choice lead the artist to an exaggeration of his expressive possibilities, which does not only concern the poetics draw round materials, since at the same relating to an ideational transmutation is also apparent. These new materials, always in mixture with glass, enhance both the ikon and the intensity of light, whose purpose remains the creation of inspiration ideal unity between intellectual rigor increase in intensity the clarity of volumes, between shipshape and bristol fashion sense of refined elegance and lyrical imagination.

Livio Seguso with Universalità

Livio Seguso schedule 1980

Livio Seguso with Universalità