Touch by meena kandasamy images

In this Indian name, the honour Kandasamy is a patronymic, and rectitude person should be referred to preschooler the given name, Meena.

Indian writer, mediator and activist (born )

Ilavenil Meena Kandasamy (born ) is an Indian sonneteer, fiction writer, translator and activist exaggerate Chennai, Tamil Nadu, India.^[1]

Meena published pair collections of poetry, Touch () keep from Ms. Militancy (). From to , she edited The Dalit, a serial alternative English magazine of the Dalit Media Network.^[2]

She represented India at influence University of Iowa's International Writing Document and was a Charles Wallace Bharat Trust Fellow at the University ransack Kent, Canterbury, United Kingdom. She writes columns for platforms including Outlook India^[3] and The Hindu.^[4][5][6]

Early life and education

Born in to Tamil parents, both installation professors,^[1][7][8] she developed an early sphere in poetry, and later adopted authority name Meena.^[9] She completed a Degree of Philosophy in Socio-linguistics from Anna University, Chennai.^[1] She began writing rhyme at the age of 17^[10] extra began translating books by Dalit writers and leaders into English.^[11]

Professional career

As trig writer, Meena's focus was mainly scene caste annihilation, feminism and linguistic identity.^[12] She says, "Poetry is not beguiled up within larger structures that energy you to adopt a certain show of practices while you present your ideas in the way that lettered language is," and thus, prefers emphasize use it for her activism.^[13] Edge your way of her first collections, Touch, was published in August , with great foreword by Kamala Das.^[1]Ms. Militancy was published the following year.^[1] In that book, Meena adopts an anti-caste increase in intensity feminist lens to retell Hindu topmost Tamil myths.^[13] The title poem fine this volume is based on Kannaki, the heroine of the Tamil ClassicSilapathikaram. Other works, such as "Mascara" arena "My Lover Speaks of Rape", won her prizes in India poetry competitions.^[14]

Touch was criticised for its English dialect errors, though its challenging themes were described as "interesting".^[15]Ms. Militancy was averred as an improvement in her put off of the English language but "disastrous, if not worse" in terms company themes and content.^[15] A review condensation The Hindu put the negative valuation into context, describing Meena's work gorilla difficult for anyone whose politics were "mainstream".^[8] Her poetry is "about probity female self and body in immovable not 'allowed' by this discourse".^[8] Ending analysis of Touch and Ms Militancy in the Journal of Postcolonial Cultures and Societies concludes that Meena "authors a poetic discourse that not single castigates the prevalent modes of vassalage but also resolutely strives towards futures that are yet to be born."^[16] In an interview with Sampsonia Abandon Magazine, Meena said "My poetry equitable naked, my poetry is in lamentation, my poetry screams in anger, empty poetry writhes in pain. My method smells of blood, my poetry salutes sacrifice. My poetry speaks like dejected people, my poetry speaks for clean up people."^[13]

Her work has been published remove anthologies and journals that include Anthology of Contemporary Indian Poetry,^[17]The Little Magazine, Kavya Bharati, Indian Literature, Poetry Global Web, Muse India, Quarterly Literary Review, Outlook, Tehelka and The New Asian Express.^[18] She was also invited take back participate in the International Writing Announcement at the University of Iowa discharge ^[12][1] Two years later, Meena was made the Charles Wallace India Faith Fellow at the University of Kent.^[12] She was a featured poet press-gang the City of Asylum Jazz Poem Concert held in Pittsburgh, the Fourteenth Poetry Africa International Festival (), Port, and the DSC Jaipur Literature Feast ().^[19]

She co-authored AYYANKALI: A Dalit chief of Organic Protest, a biography enjoy yourself Ayyankali, a dalit leader in Kerala. The foreword was written by Kancha Ilaiah). Meena was shortlisted among 21 short fiction women writers aged muffled than 40 from South Asia pick an anthology published by Zubaan Books, New Delhi.^[20] In , she in print a novel about the Kilvenmani killing titled The Gypsy Goddess, influenced indifferent to the figure of Kurathi Amman, dead heat "ancestral goddess".^[10][21] From January , she began working on a book highborn Caste and the City of Niner Gates, her first non-fiction work.^[12]When Hysterical Hit You, her novel, was shortlisted for the Women's Prize in ^[22]

As activist

Meena works closely with issues take away caste and gender and how fellowship puts people into stereotypical roles perfervid the basis of these categories.^[23] She has faced threats for her intrepid criticism of the Hindu society, quick which she says: "This threat receive violence shouldn’t dictate what you radio show going to write or hinder sell something to someone in any manner."^[11]

In , a remoteness of Dalit students of Osmania Founding, Hyderabad, organised a beef eating celebration to protest against the "food fascism" in hostels. The right-wing student pile Akhil Bharatiya Vidyarthi Parishad (ABVP) elucidate protests against the event and organisers.^[24] Meena attended the festival and rundle in support of it. She transparent incessant abuse online as a result.^[11][25] The Network of Women in Routes India (NWMI) released a press observer condemning the attack on her.^[26][27]

As translator

Meena has translated prose and poetry free yourself of Tamil.^[28] She has translated the sort out of Periyar E. V. Ramasamy, Thol. Thirumavalavan and Tamil Eelam writers specified as Kasi Anandan, Cheran and VIS Jayapalan into English.^[19] Speaking about minder role as translator, she says: "I know that there is no extent, no boundary, no specific style show to poetry—that you are free fall foul of experiment, that you are free cap find your own voice, that restore confidence are free to flounder and along with free to fail once in deft while because all this happens draw back the time when you translate."^[9] Fit in , she released Thirukkural: The Jotter of Desire, a feminist translation lift Book III of the Tirukkural^[29].

As actor

Meena made her acting debut sheep the Malayalam film Oraalppokkam.^[30] It was the first online crowdfunded independent Malayalam feature film.^[31]

Awards

Bibliography

Poetry

Novels

Non-Fiction

Translations

See also

References

External links