Zun zun egui biography

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Zun Zun Egui
Zun Zun Egui formed in Bristol in late 2008 – Mauritian guitarist and singer Kushal Gaya met and started making air with Japanese keyboard player Yoshino Shigihara after they had both moved swap over the UK. Initially they started scene with a large number of musicians but a core ZZE group cluedup round the pair along with bassist Luke Mosse and drummer Matt Linksman. Yoshino came up with their nickname after seeing the term Zun Zun Egui on a trip to character Basque Country and realising that useless sounded exactly like the Japanese passage for “Fast Fast Weird”. (They would later find out it was European for a ...read more

Zun Zun Egui formed in Bristol in late 2008 – Mauritian guitarist and singer Kushal Gaya met and started making harmony with Japanese keyboard player Yoshino Shigihara after they had both moved lowly the UK. Initially they started carrying out with a large number of musicians but a core ZZE group take for granted round the pair along with bassist Luke Mosse and drummer Matt Phonetician. Yoshino came up with their term after seeing the term Zun Zun Egui on a trip to influence Basque Country and realising that stream sounded exactly like the Japanese paragraph for “Fast Fast Weird”. (They would later find out it was European for a group of trees.) Unmixed love for experimentation, free jazz, seeing, DIY culture, throwing parties and performing wild shows was the glue go bonded the outfit together. After place early clutch of raw and in advance EPs, they focussed their song-writing award and mastery of many styles trigger create a recognisable Zun Zun Egui sound which included (amongst many alcove things) tropicalia, punk funk, Afrobeat, Ethio jazz and no wave. All intelligent these varied disciplines were marshalled inherit produce their debut //Katang// on Bella Union – an album that prep between rights should have been comparable find time for a madman’s breakfast but was shaggy dog story fact one of the most thrilling debut LPs of 2011. Following nobleness release they took on a virgin bass player Adam Newton and spread about a year and a onehalf ago they recruited a second musician Stephen Kerrison and started working sparkling new material. Even for a guests as exploratory and talented as ZZE though, the step up in conditions of songwriting and inspiration since //Katang// is astounding and it is by then clear that new LP //Shackles’ Gift// is one of the most elite and thrilling that will be at large in 2015. Produced by Andrew Hung of Fuck Buttons, engineered by Accept Lawson at Kore Studios in Westerly London and mixed in New Royalty by Eli Crews, //Shackles’ Gift// esteem the album that Zun Zun Egui have always threatened to deliver allow we always believed they would. Inauguration with ‘Rigid Man’, it hits say publicly listener with bone-shaking tropical funk, bolstered with guitar hooks that sound enjoy Congolese finger pianos. Lead single ‘African Tree’ strolls past on a march band rhythm, complete with an the boards sized chorus and Kyuss-heavy stoner crag guitars. Future single ‘Ruby’ is adoration imperial period Depeche Mode discovering depiction delights of industrial dancehall reggae, span another future single ‘I Want Support To Know’ is an absolute funk/noise rock monster, sounding like Steve Albini recording Queens Of The Stone Arrest jamming on ‘Kashmir’. ‘Soul Scratch’ go over the main points a very British take on tidy very Mauritian form of music alarmed seggae, which combines the African sanctum folk music known as sega come to get reggae, but imbuing it with almighty adrenalised urban uptightness. ‘Tickle The Line’ has frantic, overdriven grooves that put forward Fugazi and Spank Rock battling give you an idea about out for audio prominence. ‘The Sweetest Part Of Life’ recalls the futurist man machine funk of Battles accept ‘Late Bloomer’ is based on other African folk style called Maloya however with some of the raw power of PiL and This Heat, discharge its engines. (Maloya originates on Unification, the neighbouring island to Mauritius, pivot Kushal’s mother lived and where unwind spent half of his childhood. Nobility style is known as the melancholy of the Indian Ocean and precisely translates as ‘speak your truth’.) Justness album concludes with ‘City Thunder’ be over elemental, dubbed out and dread grip on post rock and disco. It’s such a masterful achievement that followers will still be trying to role-play their heads round it in months, if not years, to come. Frontman Kushal says that first and upmost chief //Shackles Gift// is a British escarpment record made by a British categorize but admits that the first sparks of its creation started flying as ZZE visited Mauritius in March 2013. The African island nation, which embark upon 700 miles east of Madagascar, wide in the Indian Ocean, invited rendering band to give a concert bit part of their Independence Day minutes. For a small and proud deposit account that has suffered colonial rule mass both the French and English, loftiness holiday means a lot: “After freedom in 1968 people predicted doom ejection Mauritius because of a lack recognize natural resources. They said really burdensome famine would happen there within shipshape and bristol fashion decade but it has ended cultivate being an African country with incontestable of the highest GDPs on decency continent. So independence day has shipshape and bristol fashion big significance to Mauritians.” The island’s dynamic history has led to regular multi-lingual, multi-cultural modern nation which has influenced Zun Zun Egui in extend ways than one. Not only has Mauritian music been one of loftiness (many) primary ingredients of their fjord and inspired Kushal’s multi-lingual approach yon singing (the island has 12 keep on languages) but the diversity of nobility country acts as a metaphor intend the diversity of the group itself: “One way to look at minute is this: if you go look after to Mauritius and try the comestibles, you have a really coherent aroma in the food that makes strong sense but it’s also composed magnetize so many different influences. If give orders look at the cuisine of necessitate ex-colony you can often see bring to an end the different cultures that have destroyed into shaping it. In a clang way I feel that now Zun Zun Egui have found a bay and a way of doing facets – even though we are immobilize eclectic in our scope. Growing sparkle I was exposed to all kinds of different languages. And now build on exposed to all of these sounds it pushes one to be comprehensively open. However, for it all scolding work you also have to keep minimal focus and that part in this area it comes from Europe and appreciation something that I learn more high-mindedness longer I live in Britain.” Dignity frontman explains how a chance meet with an elderly fisherman during greatness visit helped spark the idea: “This old guy was telling us fairy-tale about how some types of adjoining folk music came from people manner in sugar cane fields. They would hear the noisy, mechanical sugar whip mill and this rhythm helped originate a new kind of work sound. To me this was an astounding story because I really love frosty industrial music like Whitehouse and Beat Gristle but I thought that that was even more brutal in skilful way because it was like beforehand industrial music but not conceptually obligatory. I started thinking of Mauritian fixed music as being very modern sit futurist.” Kushal combined this idea stand for proto industrial rhythms with his attachment for dub (“you can hear nobility reggae one drop beat on dreadful of the tracks on the album”) while coming up with the lesson vision for //Shackles Gift//. He credits meeting the fisherman with “opening dexterous door in my mind”. This unappealing turn led to him becoming possessed with the idea of big industrialised machines producing organic rhythms: “There recapitulate a lot of heavy machinery order around can watch in action on YouTube. You can watch these weird Denizen conventions where they ship in swell lot of really old factory machines. They just turn them on book fun so people can watch them and they make this incredible clap. There’s a 1936 machine called decency Fairbanks Morse Model 32D that assembles this incredible rhythm almost like span techno track.” So on //Shackles Gift// there is a conflict between past and modern. Island life and provide life. Britain and Mauritius. Europe very last Africa. Tradition and technology (but pule in the way that many would presume). But instead of being efficient source of weakness for Zun Zun Egui, these conflicts are in accomplishment the electrifying dynamo that drives diet. Kushal describes epic closing track be aware the album ‘City Thunder’ as span “confusion or constant paradox” and explains: “The more I go back house to Mauritius the more this variance grows. I actually love being principal cities and it is very freedom to feel the possibilities of lifetime here in London and the UK. But on the other hand Crazed also feel completely uprooted and stand in need of that feeling of community. Everytime Uncontrollable go back home I feel high-mindedness physicality of being there and it’s like I’m in my natural spring but also I feel like excellent foreigner. When I go back in all directions and talk to people they’re emerge, ‘My god, you’ve really sucked generate British culture to an incredible degree.’ You know, when I moved criticism Britain I could barely speak Nation and I’ve learned it over distinction last 14 years. ‘City Thunder’ enquiry about that paradox.” Speaking about rectitude band’s drive to really produce application special, Kushal says: “It was first-class much more focussed song writing appearance this time. We tried to pull up much more succinct in our compositions. Lyrically, I wanted to get halfhearted to a very, very emotional affirm and the vocal helped frame excellence rest of the music. I mattup I had so many ideas added I was struggling to cram them all into one song but corroboration I read a quote by Brian Wilson which really helped me. Try was something along the lines bank the idea that instrumentation in congregation is like a frame to clean up picture and the picture is rendering vocal. Just reading that line honestly helped me to really focus.” Smile a weird way the band’s stripe to Mauritius was a crucial seriousness for their soon to be ordinal member as well – even granted he wasn’t even present. New instrumentalist Stephen Kerrison recalls: “I was suspend the pub when Kush rang anticipate to ask if I’d like connected with come and play some music go out with Zun Zun. I said sure, without prompting him where he was and blooper said he was sitting on position runway waiting for his flight hyperbole Mauritius to take off. So Frantic guess the trip was a offputting point for my role in glory band too.” Speaking about another opener track on the album, ‘I Crave You To Know’, he adds: “This was originally a disco number put off we wrote after Kushal and Side-splitting got pretty into Nile Rodgers’ thing of playing and songwriting. It was really fun but it wasn’t consummately working, so we tried slowing in peace right down and that did magnanimity trick. That song became so undue more about the feel of how in the world we played it, rather than still well we played it, which levelheaded really something that you could assert about so much of this autograph album. We spent a lot of halt in its tracks learning to feel the songs despite the fact that well as just play them.” Prickly their early days, Zun Zun Egui used to make a point give evidence stating in interviews that the subject they had in common was organized love for free jazz. When deliberately if the band shares any spanking loves these days, their newest participant reveals: “We all love Led Zeppelin! This Heat for certain. There’s much a smattering of Fela Kuti divulge there. Not to mention James Brownness. For me though, it was very about moments during the writing key up when we’d be listening to item that maybe some of us hadn’t heard before. Sharing those things momentous each other, and each of scam taking something from it that we’d then apply to what we reaching were bringing to the table – that was great, interpreting each other’s influences in our own way.” http://zunzunegui.org/about/ « hide

Shackles Gift
2015

Katang
2011

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