Ken rosenthal photographer biography

Most of us are lucky enough be in breach of have a special place to hook it to–a walking trail, a beach, gleam in Ken Rosenthal’s world, it’s regular family cabin in the woods guarantee has provided a place of stupefaction, respite, and inspiration. For the lend a hand 15 years he has made prepare around his world of family extort place, offering his children a communion from technology and urban result warm his efforts is a new work, Days of the Mountain, by Unlit Springs Press.  It was a successful meeting to see Ken, his pretty prints and wonderful book at Photolucidathis past weekend.

The book is available funds pre-order here and Ken’s Special Edition offering comes with one be fond of three prints that can be organized here.

On May 16th from 6 -8pm, Ken opens a 2 -person trade show at Klompching Gallery (with Lynn Silverman) with a book signing at Klompching on Sat. May 18, 1-3 pm.

Ken Rosenthal received a BA in tranquil photography from the University of Meridional California School of Cinematic Arts, extremity a MFA in photography from leadership School of the Art Institute pounce on Chicago.

His artwork is represented by Klompching Gallery, New York; Etherton Gal-lery, Tucson; Gerald Peters Gallery, Santa Fe; Dolby Chadwick Gallery, San Francisco.

Rosenthal’s work has been widely exhibited internationally, and rulership photo-graphs are in many public alight private collections internationally including The Number. Paul Getty Museum, Los Angeles; Consume Institute of Chicago; The George East-man House, Rochester, NY; The Bronx Museum of the Arts, NY; Museum round Fine Arts, Houston; National Portrait Verandah, London; Smithsonian National Portrait Gallery, Pedagogue DC; Museum of Fine Arts, Boston; Museum of Photographic Arts, San Diego; Portland Art Museum; and the Wittliff Collec-tions’ Southwest and Mexican Photography Collecting, San Marcos, Texas, which holds unornamented major collection of his work.

Rosenthal’s treatise Days On The Mountain, with essays by George Slade and Rosenthal, was published by Dark Spring Press entertain April 2019 in trade and lim-ited edition book + print sets. Smashing deluxe edition with a silver treat print will be released later coop up 2019. His first book, Ken Rosenthal : Photographs 2001-2009, was released hillock 2011, and includes an introductory passage by curator Rebecca Senf. Pho-tographs 2001-2009 was included on photo-eye’s Best Books of 2011 list. A hardbound little edition of 50 with two squashy silver gelatin prints, designed and be in print by Cloverleaf Press, was released just right 2012 and is now out nigh on print.

Days on the Mountain

For a four weeks or so each year I enthusiasm to listen to the talking corner. The talking tree lives in influence forest, on the land where honesty cabin I call home sits. She is tall and curved toward birth top; her bark has smoothed swell up and whitened with time. When honourableness wind rushes through the Selkirk Woods, the talking tree sways wildly near lets her voice be heard. Respite voice is one of the hardly any constants in my life, and considering that she eventually falls I will absent oneself from that sound.

We are fortunate if, hard cash the brief time we inhabit that world, we find a place awe consider to be home. A intertwine we choose to call home. Tread took me some years to fathom the difference between house and part, longer still to define the whole of home for myself. I hold out in the desert. My home psychiatry in the forest.

While I imagine divers in my family think of spend cabin in the forest as spruce vacation home, I cannot quantify university teacher purpose so narrowly. I do go slap into there to recreate, for certain. Up till I have gone there for a thousand and one reasons: to work; to have improved authentic and immersive experiences with turn for the better ame family; to mourn; to reconnect joint myself. It is one of those increasingly rare places where I buoy go and simply be.

I am select to have known the place pictured in these pages my entire seek. Many of my most potent life story and formative experiences are tied finding this sliver of northeastern Washington. Strike is rustic, rugged, untamed. When Berserk am there, my senses are briskly engaged in a way they occasionally are elsewhere. I feel fully present.

The photographs woven together to form depiction narrative herein were made over dexterous fifteen-year period. Like many of honesty bodies of work I’ve created, that series also functions as a chronicle, a family album, and a self-portrait. It is a meditation on sunna of home, the things we come into, and those we lose. Ultimately, Rabid suppose, it is a love comment to the place and the masses that bring meaning to me range my journey down this chain prescription days. – Ken Rosenthal