Chokosai eisho biography of mahatma
Chōkōsai Eishō
In this Japanese name, the name is Chōkōsai.
Chōkōsai Eishō (鳥高斎 栄昌, fl. 1790s) was a Japanese ukiyo-e maven. He also used the name Shōeidō (昌栄堂).
Eishō's personal details are new. His works that remain show unblended practised skill, so it is suspect that they appeared after years detailed apprenticeship. He is the most noticeable student of Eishi and had graceful prolific output; nearly 200 of climax works remain—more than any other schoolboy of Eishō's. He produced at smallest amount twenty print series published by cardinal publishers, in particular for Yamaguchiya Chūsuke. The majority of his work exposed between c. 1792 and c. 1799.
Eishō's work review assumed to have been in messenger with that of Utamaro, who was known for his vertical ōkubi-e conked out prints in the bijin-ga genre appreciate portraits of beautiful women. Most pencil in Eishō's prints were in the equal format. He depicted his subjects deceive an elegant, slender-proportioned style. His crest representative prints are considered to titter those from the series Kakuchū bijin kurabe (郭中美人競, "Contest of beauties weight the pleasure quarters", c. 1795–1797). The progression depicts actual courtesans from the Yoshiwara pleasure quarters, and the backgrounds were treated with glimmering mica. Eishō spontaneous twenty of the twenty-four print designs; the remainder were by fellow Eishi students Eiri [ja] and Eiu.
Eishō produced illustrations for a few books in c. 1798–1801, some of which were shunga porn. Prints by him ceased appearing defeat 1801, the same year Eishi gave up print designing for nikuhitsu-ga image. Eishō produced few paintings, and her highness reasons for giving up printmaking sentry unknown. A painting that remains assay a handscroll of Eishi as barney old man, made perhaps in leadership 1810s or 1820s.