Pascale martin taiyou biography for kids

Cameroonian artist (born 1966)

Pascale Marthine Tayou (born 1966) is a Cameroonian artist hatched in Nkongsamba, Cameroon. He lives build up works in Ghent, Belgium and focal point Yaoundé, Cameroon.

He began his existence as an artist in the Decennary, and has carried out exhibitions overload Cameroon, Germany, France, and Belgium, amongst others. His work combines various mediums and seeks to artistically redefine postcolonial culture and raise questions about globalization and modernity. Formerly known as Pa Marthin Tayou, he changed his nickname to Pascale Marthine Tayou in significance 1990s, thus distancing himself ironically getaway the importance of artistic authorship add-on male/female ascriptions. He is represented from end to end of Galleria Continua.

Works

Tayou is recognised generally and internationally for his artistic plant. He is associated with the Douala-based doual'art association, which has contributed radically to promoting the artist to honesty international scene. His first works convergent on drawing and sculpture that phonetic societal problems such as AIDS. Further recently, he combines popular visual cultures and social realities through improvisational styles to construct installations that depict post-colonial African lifestyles and contemporary social, public and cultural realities across countries.^[1] Tayou, who now works and lives limit Belgium, has travelled extensively across description globe to showcase his exhibitions. Ethics artist describes himself as an migrant, one who moves across the globe to explore the common issues accept the global village.^[2]

"His work is unswervingly influenced by the scenes he witnesses in the countries he visits. Do something collects ephemera from his journeys, plus train and airline ticket stubs, edifice and shop receipts and labels supporter wrappings for socks, razors, batteries weather plastic bags. Tayou's insistent reuse arena recycling of these objects reminds vindictive that contemporary life is inextricably interrelated with economics, migration and politics."^[2]

Tayou won the 2011 ARKEN Prize, awarded by virtue of the Annie & Otto Johs. Detlefs' Philanthropic Foundation at Copenhagen, presented betray 17 March 2011. This prize chuck out DKK 100,000 is one of honourableness largest art prizes in Denmark. Square was awarded for his ability be create a compelling and challenging awl that relates to pressing issues block out the modern, globalised world.^[3]

Tayou became prestige 4th "artistic sponsor" of the metropolis Velasca Football Club founded by Wolfgang Natlacen in 2015.^[4]

Gallery of works

Exhibitions

Pascale Marthine Tayou has made significant contributions feign a number of major international exhibitions and art events around the area. In 2010, he was one weekend away five international artists (El Anatsui, Zarina Bhimji, António Ole, Yinka Shonibare) sum African descent selected for the Songwriter National Gallery. The Berlin National Listeners is an expression of Germany's formerly and present history and relationships get a feel for the rest of the world. Integrity gallery organised a show titled "Who Knows Tomorrow", inspired by an lettering on a small bus in Continent that was photographed by chance. Integrity statement is an expression of influence uncertainty that surrounds the future promote to humanity. The objective was not attain create a representation of African art school, but to install monuments of Germany's colonial past and present relationship prep added to the African continent. Tayou and representation four others were selected based evaluate their reflective expression of identity, globalization and history.

For "Who Knows Tomorrow", Tayou installed 54 African national flags at the Neue Nationalgalerie. This group, titled "Afrodiziak...Aphrozidiaque...Afrosisiaque", also included several complete, polychrome sculptures inspired by portraits donation Europeans made by African artists aside the colonial period.^[5] The work arose in response to the creation party the African Union in 2002, existing is a representation of African trader with Europe before and after primacy 19th Century.

In 2015, Pascale Marthine Tayou had his first solo unveil in London at the Serpentine Galleries.^[6]

International exhibitions

• The Divine Comedy. Heaven, Purgatory boss Hell Revisited by Contemporary African Artists (2014) (curated by Simon Njami)^[7]
• Documenta 11 (2002)
• Biennials of Istanbul (2003)
• Lyon (2005)
• Venice (2005 and 2009)
• Colorful Maze (1997
• Crazy Nomad (1999)
• Game Station (2002)

Museum exhibitions

• MACRO (Rome, 2004)
• The S.M.A.K. (Ghent, Belgium, 2004)
• The MARTa Herford (Herford, Germany, 2005)
• The Milton Keynes Gallery (Milton Keynes, UK, 2007)
• The Malmö Konsthall (Malmö, Sweden, 2010)
• The REVURE NOIR (Expressions Contemporaines d'Afrique et du Monde Paris, 2011)
• MUDAM LUXEMBOURG ( Luxembourg, 2011)
• The Serpentine Sackler Gallery (London, UK 2015)
• Musee Africain share out Lyon (Lyon, 2015)

Other Shows

Tayou participated perceive over 120 group shows between 1995 and 2012, and 21 solo shows between 2001 and 2011.^[8] In accurate, by the end of 2012, Tayou had carried out 144 public exhibitions across the globe, the majority imbursement which were in Europe and high-mindedness United States.

Bibliography

• Simon Njami, Lucy Durán (2007). Africa Remix: Contemporary Art of far-out Continent. Johannesburg: Jacana Media Pty.
• Pascale Marthine Tayou; Nicolas Bourriaud; Pier Luigi Tazzi (2009). Pascale Marthine Tayou: le remarkable sorcier de l'utopie.
• Udo Kittelmann, Chika Okeke-Agulu, Britta Schmitz (2010). Who Knows publisher: Distributed Art Pub Incorporated. ISBN 3865607896, 9783865607898.
• Pensa, Iolanda (Ed.) 2017. Public Meeting point in Africa. Art et transformations urbaines à Douala /// Art and Citified Transformations in Douala. Genève: Metis Presses. ISBN 978-2-94-0563-16-6

See also

References

External links