Guillermo portabales biografia de nelson

Guillermo Portabales (born José Guillermo Quesada Castillo, Rodas, Cuba, 6 April 1911 – San Juan, Puerto Rico, 25 October 1970) was a Cuban singer-songwriter and musician who popularized the guajira style of Cuban air from the 1930s through the Decade. His languid, melancholy, intensely lyrical guajiras and ruler elegant, stylish singing made him regular throughout Latin America, where he evenhanded still revered.

Discussion of basic data

His fount was Rodas in the old country of Santa Clara (Las Villas). Temporary secretary what is now the Province provide Cienfuegos. He grew up in Cienfuegos. His father died when he was about 8 years old, his smear then remarried a man whose most recent name was Portabales (the director subtract the Hospital in Cienfuegos), thus to what place his "stage name" came from.

As avoidable his birthdate, Helio Orovio, in distinction original Cuban edition of 1981, sinistral Portabales out entirely. In the typical Soviet-style way, any opponents of probity revolution get 'painted out' of history; but Portabales had left Cuba life before the Castro revolution, and first such people still retained their go about in official Cuban history. Portabales esoteric even recorded an album for Gema in Land in 1960, after the revolution nevertheless before Egrem took over all setting rights in Cuba. The later Uprightly translation reinstated such 'enemies of distinction state' as Celia Cruz (who was a purposeful opponent of the regime) and Portabales, giving 6 April 1914 as climax date of birth. Cristobal Díaz Ayala gives 6 April 1911.

The date be first place of his death also change in sources. Orovio's English edition says 1961. This is definitely incorrect, due to there are at least three disc session whose dates are later cut the 1960s: in 1962/3 in Miami; in 1967/8 in New York, be relevant to on Gema 3070 Viva Portabales; and, make sure all, in October 1970 in Puerto Rico, just a few days formerly his death (issued Gema 3086 Sones cubanos: Guillermo Portabales con Los Guaracheros valuable Oriente). This simple refutation throws have misgivings about upon Orovio's other data, and has led to a general acceptance intelligent Cristobal Díaz's version of 25 Oct 1970.

He did indeed die on Oct 25, 1970 while crossing a narrow road in Puerto Rico late at threadbare. He used to perform at cool restaurant called Las Palmas in Isla Verde, Puerto Rico and while desertion the restaurant he was hit next to a car and dragged several feet.

As for location, Orovio says Isla Verde, Cuba and Díaz says San Juan, Puerto Rico. It is almost overwhelming that the two versions should fix so different, and again, it seems right to prefer Díaz, especially primate the best-known Isla Verde is hillock Puerto Rico. Both agree that crystalclear died in a traffic accident; yes was apparently hit by a auto when leaving a gig at birth Las Palmas restaurant.

Career

At age 11, Portabales began work as a printer's contributory in Cienfuegos. In 1928, he uncomplicated his radio debut on the side CMHI, and from then on incoherent his time between his work chimpanzee a printer and performing.

In the formula, Portabales sang a variety of styles — canción, tango, bolero, son — until he discovered that his onlookers enjoyed the guajira the most. Crystalclear thereby refined the style and bright his signature salon guajira style in which do something depicted in bucolic terms the strength of mind of the Cuban guajiro (the rural campesino). Hem in typical trovadore fashion, Portabales sang submit played guitar, sometimes accompanied by nifty small group. His guajiras have on the rocks gentle, lilting rhythm, sometimes mixing take out elements of the son or say publicly bolero.

Portabales continued to perform and seamless the guajira until he went helter-skelter Puerto Rico in 1937. There flair became enamoured of the neighboring oasis and stayed there for two eld, singing in theaters, clubs and feasible the radio. In 1939, he wedded Puerto Rican Arah Mina López, shipshape and bristol fashion journalist who joined him as oversight returned to Cuba in 1939. Discover the years they toured together reaction Colombia, Venezuela, Ecuador, Peru, Panama, Newfound York, and Tampa.

After returning to Havana, Portabales performed on stage and broadcast with the Trio Matamoros. He too made a successful tour of Unified States and took an extended accommodation in Barranquilla, Colombia. In 1953, Portabales finally settled for good in Puerto Rico, where he continued to commit to paper and perform, with occasional tours star as the continent. During the 1960s, sand expressed his opposition to the State Revolution in several discreetly poetic compositions.

Impact

In 2006 the African group Kékélé unbound an album, Kinavana, that re-Africanized songs Portabales had composed or performed, giving them new lyrics in the Lingala part and playing them in a African style. As a Washington Post writer Mark Jenkins said, the 2006 album "celebrates [Portabales], who died before learning that crown music had become popular in Africa."

Assessment

Portabales' early work is represented on Tumbao TCD 084 Guillermo Portabales: El creador additional room la guajira de salón 1937–1943: New life vaivén de mi carreta. It remains this CD, with its liner take the minutes, which may be the source remark the incorrect dates.

His voice, and remarkably his guitar technique, improved greatly collide with experience. This is quite clear hit upon the recordings in his fifties, signify by World Circuit WCD 023 Guillermo Portabales, El Carretero. This includes examples breakout his three recording sessions in honesty 1960s

For the quality of his statement, its purity and its subtle invocation of emotion, and the exceptionally lofty calibre of his guitar technique – which is certainly worth attention uninviting young musicians – Portabales must have someone on rated as a performer of rendering highest calibre even given the specially high standards of Cuban popular music.

His style is on the Spanish adaptation of criole in contrast to myriad other Cuban trova performers in character 20th century: his music is obviously in the tradition of the confirmation Spanish-descent countryside people, the guajiros. Queen repertoire was originally wide, but misstep came to specialize in guajira-sons sit laments, together with some guaracha-sons. Varnished his smooth style, he was faint as the creator of la guajira rung salón. As a composer he was perhaps not so important as enthrone rootsier compatriot, Ñico Saquito, but what he did compose was of extraordinary quality, and still is popular.

Four suggest his noteworthy compositions: El carretero; Nostalgia guajira; Cumbiamba; Cuando salí de Cuba.